A primitive contraption, one of hundreds
hanging from scaffolding high above
the football-length sound stage,
crafted to clone the ambient light of sky
but really, only a round, shallow pan
painted white on the inside, Mole
Richardson red on the outside.
Its 2k or 5k lamp screwed into a socket
attached to the rim, hot rays bouncing
off its milky circumference and falling,
filling a long silken sock extending down,
diffusing onto every surface, into every shadow.
In this pretend universe we work hard
to create the perfect weather:
a knock-out summer day right now
but soon a darkening—
then rain;
cue the wind machines—Harvey Keitel.
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